Double Bass Bow

Double Bass Bow
Kinglos Double Bass Bow
Kinglos electric double bass bows are synthetically manufactured. Its
composition provides an ideal combination of strength and stability, and the
appropriate flexibility enable you to play like a professional player. Kinglos
double bass bow can withstand changes in humidity and temperature, making it
more durable. It is octagonal and has an impeccable balance. Carbon fiber
responds well to vibrations, and you can feel the music with your fingers,
thereby improving your performance. The shape of our double electric upright
bass bow is great, suitable for faster playing, very light weight, suitable for
flexible play, all natural Mongolian horse hair is laid by hand. In fact, all
components are installed manually by well-trained professional craftsmen.

Specifications of Double Bass Bow
Size 3/4
Materials Solid Spruce Body ,Ebony Fittings.
Pick-up German shadow KL-948 type pickup.
Set-up based on standard of advanced Double Bass.
Outfit includes bag, bow, rosin and supports for the abdominal area.
Color Black, dark red, sunset, carbon fiber

How to hold the bow of the double bass
The bow holding of the double bass is roughly divided into two categories:
"fist holding" and "finger pinching". Each category also contains two bow
holding methods. Therefore, there are four kinds of bow holding methods. In the
beginning, the double bass bow was held with the palm of the hand facing
inwards. It was held in a holding fist style. This bowing method is mostly used
in Germany and Austria and other countries. It is customarily collectively
referred to as the German bow or the big bow {because the tail box is wide}.
German bows are divided into Dragonety and Simandel. Hou Lei in France. People
lowered the height of the ponytail box. The cello holding bow method was
adopted. But the thumb was placed under the ponytail box. This method was
called French bow or small bow. Italy changed the French bowing method to the
thumb. Place it under the bow. It is exactly like a cello to hold the bow. This
method is the Italian bow or the inner pinch bow. Also called the Portsini bow.

1. Dragoneti style: Place the first-third joint of the right thumb on the bow
bar. The palm of the index finger, middle finger, and ring finger is loosely
attached to the ponytail box. The little finger is placed on the section with
nails. On the plane where the metal hoop of the horsetail box faces downwards,
the screw handle of the bow rod is placed exactly at the joint of the index
finger, close to the joint. Use your thumb and middle finger to control the
bow. Use your little finger to support the bow and stabilize the direction. Use
your thumb and little finger to hold the bow like pliers. The right hand forms
a hollow arch. It encloses the arch seat. It adjusts and bears the weight from
the arm and shoulder like a spring. Just like when a person is standing, the
arm is naturally drooping. The relaxed state of the hand is naturally curved
and solitary. This state is the shape of the hand holding the bow. The
predecessor double bass master Dragoneti and the outstanding double bass
educator. Player Fenderson used this bowing method.

2. Simander type: It has a ponytail box with a large space between the bow hair
and the bow rod. Enclose the ponytail box with the palm of your hand. Make the
ponytail box firmly attached to the palm of your hand. The screw handle of the
bow rod is placed in the recess under the thumb.. This is the most obvious
difference between Simandelian and Dragoneti. This bowing hand shape is the
same as the hand shape when holding a pencil. Professor of the Vienna
Conservatory of Music. The famous player Simandel, President of the
International Double Bass Association Walter, and the best double bass soloist
Karl of this century all use this bowing method. The German bow holding method
maintains the natural posture of the human body. The bow rod and the straight
arm form a double right angle. The bow is carried out in a normal and natural
state. The force used comes from the shoulder muscles and the spine of the
back. The rotation of the arm during the bow makes the bow hair effective."
"Deep" into the strings. The sound is strong and powerful. At the same time, it
also eliminates the factors of easy fatigue.


PROFESSIONAL ASSEMBLY
Well suited to almost silent practice or for playing on stage; Body made of
Paulownia; Fingerboard made of birch (Betula albosinensis); Maple neck; Body
support; Traditional headstock with spiral; Scale: 105 cm; Height-adjustable
bridge;

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